Deadline is sending some of our best to cover the Cannes Film Festival that opens later this week, and two of them have filed previews about what to expect this year.
Awards Columnist Pete Hammond notes that the past two Cannes fests have spotlights films that later had a big impact on Oscar, and this year - already one of the “most anticipated in years” - should do the same, with lots of high-profile films that will travel well in the United States:
http://www.deadline.com/2013/05/cannes-festival-set-to-kick-off-with-what-could-be-one-of-its-most-exciting-slates-in-years/
Deadline Film Editor Mike Fleming, meanwhile, says sellers are telling there’s a “good appetite for dealmaking in the air” already, with U.S. rights getting sold on Ryan Gosling’s “How To Catch a Monster.” Lots of other high-profile films from name directors around the world should also attract a lot of deal-making, Mike says here:
http://www.deadline.com/2013/05/fleming-on-cannes-can-sizzle-reels-make-sizzling-deals-this-year/
So what films are you looking forward to seeing, either there, or when they come out later?








